The fusion of classical and pop music - that is David Garrett! For the first time, David has penned some of his unique interpretations of well-known hits in this inspiring, but technically demanding edition for violin and piano. The sixteen transcriptions combine classical masterpieces by Beethoven and Paganini with hits by Justin Timberlake, Metallica and Led Zeppelin. The essence of the orchestral arrangements is complemented by the piano part created in collaboration with Franck van der Heijden and John Haywood.
Instrumentation:
violin and piano accompaniment
<p>Angela Merkel: Eine Epoche endet - und mit ihr ein weltweit einzigartiges Projekt. Zwischen 1991 und 2021 ließ sich die Ausnahmepolitikerin regelmäßig von Herlinde Koelbl fotografieren. So entstand eine Zeitreise durch die Ära Angela Merkel. Das Porträt einer bemerkenswerten physischen und psychischen Verwandlung und das Protokoll einer...</p>
With its tonal language of personal avowal, the first of Beethoven's two masses opens up new worlds of expression for the liturgical texts of the Mass which are expressly modern and point towards the future. Not to be considered a preliminary work to the Missa solemnis, the Mass in C stands independently and set standards for the further development of settings of the Mass in the 19th century. Beethoven wrote "I do not speak gladly of my Mass, or of myself, but I do<br />believe that I have treated the text in a manner in which only few have treated it." Carus presents this important work of church music history in a new critical edition by the Beethoven expert Ernst Herttrich.
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